زبان بصری در سیاه مشق قاجار و تحلیل تأثیرات فرهنگ و هنری بر گرافیک معاصر ایران (بر اساس نظریه ژرار ژنت)

1. Namvar Motlagh B, Isvandi L. A Study of the Intertextuality of the Sacrifice of Abraham: Paintings by Rembrandt and Farshchian. Journal of the Academy of Arts. 2019;2(2):101-20.

2. Davoodi Ab Kenar A, Mostafaee Sa-M. An Essay on Defamiliarization in the Tradition of Iranian Calligraphy (A Case Study of Mirza Gholamreza Isfahani's Black Writing Works). Peikareh. 2021;10(25):67-76.

3. Kolahkaj M. The Impact of Social Change on One Hundred Years of Contemporary Iranian Graphics (According to the Theory of Social Change by Guy Roch Framework). Negarineh Islamic Art. 2021;8(21):98-111.

4. Isaghzadeh R, Sadeghian H, Rohani E. Comparison of Visual Balance in Nastaʿliq Calligraphy: Safavid and Contemporary Styles Based on the Works of Mir Imad and Gholam Hossein Amirkhani. Journal of Comparative Arts Studies. 2018;8(15):1-12.

5. Lechte J. Fifty Great Contemporary Thinkers from Structuralism to Postmodernism. Tehran: Khajasteh; 1994.

6. Genette G. Narrative Discourse: An Essay in Method: Organization for the Study and Compilation of Humanities Books of Universities (SAMT); 1972.

7. Genette G. Seuils: Édition du Seuil; 1987.

8. Kristeva J. Powers of Horror: An Essay on Abjection: Columbia University Press; 2024.

9. Meghdadi B. Encyclopedia of Literary Criticism: From Plato to the Present. Tehran: Cheshmeh; 2014.

10. Makarik IR. Encyclopedia of Contemporary Literary Theories: Agha; 1993.

11. Namvar Motlagh B. Intertextuality from Structuralism to Postmodernism. Tehran: Sokhan; 2016.

12. Allen G. Intertextuality. Tehran: Markaz; 2000.

13. Ahmadi B. Structure and Interpretation of Texts. Tehran: Markaz; 2013.

14. Barthes R. The Death of the Author. Art Magazine. 1994;25:377-81.

15. Ardelani H, Salimi H, Akbari M, Ghodrati H. The Embodiment of Emotion in Gilles Deleuze's Thought: (A Study of Francis Bacon's Paintings). Visual and Applied Arts. 2015;16(8):23-44.

16. Namvar Motlagh B. Transintertextuality: A Study of the Relations of One Text with Other Texts. Humanities Research Journal. 2007;56(Linguistics Special Issue):83-98.

17. Avazpour B. An Introduction to Art Theories. Tehran: Moqam Publishing; 2013.

18. Yamini M, Shari'at Panahi SM. Examination of Effective Factors in the Change of Nastaʿliq Script Style in Qajar Calligraphy. Nagharineh Islamic Art. 2016;3(12):20-32.

19. Sahra Gerd M. Naser al-Din Shah and Calligraphy. Golestan-e Honar. 2007;3(2):75-86.

20. Kamali Dowlat Abadi R. A Mystical Reading of the Foundations of Visual Arts. Tehran: Sooreh Mehr; 2017.

21. Lyotard J-F. The Postmodern Condition: A Report on Knowledge: Agah Publishing; 1979.

22. Reed H. Philosophy of Contemporary Art. Tehran: Negah; 1953.

23. Nozari HA. Postmodernity and Postmodernism: Definitions, Theories, and Applications. Tehran: Naghsh-e Jahan; 2000.

24. Pakbaz R. Encyclopedia of Art (New Edition). Tehran: Contemporary Culture; 2011.

25. Genette G. Palimpsests: Literature in the Second Degree: University of Nebraska Press; 1997.